A cinematic color-grading suite

Lee
Griffin

Lee Griffin

The digital glue.

200+
Edit seats in one post facility
World Cup
Live matches, commentary, post, archive
50
Remote editors, on cloud instances
Parliaments
Ingest through archive — chamber and committees

I manage staff and teams, and the channel partners.

Product. The roadmap across a mission-critical line.

Go to market. How a technical product gets positioned, priced and sold.

Available · Dublin, Ireland

Projects

Sample projects.

Live

The show going out. Studio, gallery, newsroom.

  • World Cup

    Matches, commentary and studio inserts, live, then post and archive.

  • Live studios

    Studio and gallery. Cameras, the set, the show going out.

  • Newsrooms

    Newsroom and NRCS. Fast turnaround, on air the same day.

  • Elections

    National and regional. Results live, then into the archive.

  • Soap opera stages

    Daily soundstages. Same sets, episode after episode.

  • Reality TV

    Long-running series. High volume, the pipeline has to hold.

Institutions

The building, the chamber, the country.

  • Parliaments

    Ingest through archive. Main chamber and committee rooms.

  • Government media

    National media divisions. The stack the press office uses.

  • Visual radio

    National and commercial stations. Europe.

  • National tourism

    The pictures a country sends out.

  • Secure meeting rooms

    Remote. Secure.

Post

Post-production technology for Academy and Emmy award-winning facilities.

  • Post facilities

    Design and implementation. 200+ users.

  • Cloud production

    The workstation and the media together. Remote editors. No drives in the post.

  • Fortune 500

    In-house media teams. Tier-1.

  • VFX

    Pipelines for animation and visual effects.

NAB and IBC. NAB 2025 — FLOW AI on the floor · NAB 2024 — Collaborative editing · SVG Europe, 2020 — Cloud editing that cuts

Contact

Get in touch.